New artists are arriving in the color garden. Their smart take-over is welcome. Epicurs garden is a garden of education, a garden of art, a holistic approach, not to understand humans and nature as opposites but as unity in diversity. The garden experiences the great artists like Nora Valdez, who are active worldwide and give the project, the garden and the village of Cervera a sculpture. Likewise, the young artists come, the new generation of young people who will take over the power in a few years. The garden offers them a special kind of playground. They can try some handcraft activities and decide freely which activity they want to be part of, and with with fun. The garden as it is only offers space for development; it is up to the people to explore this space themselves and find out what is possible. The little and the smallest artists have no problem with that. They seize the opportunity directly and with full concentration. They watch others and do it. They observe, they try, they immerse themselves in the material and process. Doing things together is a space for them to develop. And they see the challenge as an opportunity.
The children stick colorful pieces on old ceramic plates from the ruins of the village Cervera dell Maestre. They are recycling valuable cultural assets. The ceramics come from houses from the last 500 years. There is a lot of energy in them, bound up in the manufacturing process. The reuse as an image carrier documents the respect for this material. This view is admittedly an adult view of things. But the natural handling and appreciation are immediately understood and adapted. And since the result, the altar of joy, will last a long time, there is also the chance of a return and a pause, to think about what happened back then, in the time of great change. The children’s hands immerse themselves in a 600-year history of the region and they build something that protrudes far into the future.
Dilan choosed an old wooden bean from the trash to give stability to the new roof. He carefully selects small natural stones that give the beam support and fix it in position.
Dilans work is a preparation for the upcoming next event in the color garden. Every family with kids is invited to join the event in the color garden. On the second weekend of construction work, the altar will be completed and inaugurated. Many small artists have announced themselves.
The color garden is a social art project. Contemporary art creates space for social interaction. The encounter with others becomes an encounter with oneself. The altar of joy stands at the entrance to the garden. It will attract the attention of the visitors. It will remind you of the creative young people and their time in this garden. And it will offer space for a pause, a moment of rest, and then move on and explore the garden.
At times when mothers begin to hoard food, there is often little time to think about grand life plans. When the unsuspecting humans begin to suspect something, morality disappears. When common values are disappearing into the history books, when fear is stoked, when language is confused, societies deteriorate. The tension rises, it discharges into violence. In anger, the creator finds the strength to set the new and sets the seed for its later decline as well.
The condition for avoiding the danger hides the actual intention. The question of how one is allowed to belong becomes more important than the question of what one might belong to. The appeal is for the common good, the individual has to step back, it is “proclaimed” again. No wonder that so many people are looking for new communities. Some find them in an alliance with the mainstream, others turn away and look for like-minded people in the off-space of society. After the industrial revolution comes the mental one. Who actually has the hubris to say it is the fourth?
Many communities promise protection, and so they join the chorus of carnival screamers who have salvation in their mouths and their own benefit in mind. Offering protection from nature is a monstrous self-overestimation of the people, paired with the desire to drive a wedge between the inhabitant and the habitat, which has to be filled with products. These products make sense. Rationing opens up new possibilities. The answer lies in dualism. As much as a person longs for community, he also desires individuality. Let’s do it together, then I’ll have more time for myself!
Familiafeliz as an open community offers a social space for individual happiness. The young people who enter the Color garden are breaking new ground. It is not the defined space of a training center, it is not the retreat of the do-gooders. It is a weak, flexible and open space in which the visitors dominate the action. Contradictions, disorganization and counterproductivity are indicators of the degree of freedom.
The children who visit the place deal with it self-consciously. They are aware of themselves. While the parents are still conceiving, negotiating and investigating, the young people have long been on their way, close to nature, close to the action. A Herakles who, under today’s circumstances, brings children into the world, accompanies and encourages them on their own path. It takes space and the understanding that it is easier to create and maintain this space together. The art camp in the garden of colors is such a place. And we are well advised not to pretend too much and to watch more where the journey will go.
Sometimes it is a place of searching, sometimes a place of finding. Sometimes it is a place of experience, sometimes of being. We hear Czech, French, Castellano and Catalan, English and German. In the mixture of cultures we can sense the new order. Our own socialization blocks our way to really recognize it, we cannot force it either. It will reveal, naturally.
Our ego searches for the truth, wants to do the right thing, exhausts itself in the justification. Even the recognition of the groundless justifies the action, and is communicated with regard to the algorithm: the reason for …
Carob was the oil of the Middle Ages, and in some ways it is likely to be the oil of the future. What used to drive donkey and horse carts is now valuable food. Alternative education is authentic if it is exemplified and can be accompanied. That is why CASAdelDRAGON invites parents to spend a cozy and effective morning collecting carob. At the end of the day we share the food we have brought with us and enjoy the social time together. If you are interested, please contact us directly.
This is a story about an exhibition in CASAdelDRAGON in 2020 and 2021, about a 49 year long friendship, about attention trafficing of yellowpress imperialism, about our tipping points in science, meaning and life. It is a story about the liberation from the paradise of ignorance and a story about the gift of love of letting go and the dignity of giving love without expectation.
Disclaimer: You need about 5 minutes to read this article, but a lifetime to experience it. Please ask your doctor or pharmacist about risks and side effects.
Las ultimas horas is the title of the running exhibition in CASAdelDRAGON, our community guest house, artist residence, think tank and experimental playground for social art projects. It is an exhibition with works from several international artists, all exhibited in the last 14 years in the art gallery in the basement. The exhibition is open for the public on saturdays and sundays from 10am to 2pm.
In the phase of the reconstruction of the CASAdelDRAGON we needed transport routes for heavy loads. For this purpose, openings were provided in the ceilings in order to transport the materials to higher levels. At the beginning of the expansion of the gallery, these transport routes could be closed.
But the history of this exhibition is also a reference to the birth of this place for art. More than 17 years ago we started to dissolve the material warehouse for the reconstruction of the CASAdelDRAGON and in 2007 we prepared the first exhibition opening in 5 months of hard labor. The photos in this article are from this time and remind us of the last hours before the entrance to the first vernissage. They tell the story of the “ultimas horas”, but also the story of all the people who made it possible for this social space to arise.
More than 200 people from many countries around the world had already helped to rebuild the CASAdelDRAGON. Some of these wonderful people had also agreed to help with the expansion, installation and preparation of the first exhibition in 2007. A very important person in the life of the builders of this social space was also there. And this article should also be about this woman who has been with us for so long.
In the expansion phase, we used relatively modern building materials. This was also due to the fact that ecological building materials and wood treatment methods were not available. In any case, we did not want to use toxic materials to protect wooden structures and at that time we decided on reinforced concrete as the load-bearing element. The closing of the last transport hole also marked a farewell to an era in which this 700-year-old house was being rebuilt.
When guests visit the gallery today, they cannot see what preparations were necessary to make this visit possible. Architecture makes history, but the focus is often on the surface of things, the building becomes a selfie for the builder, and sometimes also for the architect who plans it. The CASAdelDRAGON is a place to remember the construction workers and their own history. It is a place that was created through the social interaction of those involved, through the cooperation between the actors. And it is a place that connects the history of these helpers with the many generations before who built the place Cervera del Maestre from the ruins of a military fortress, and the CASAdelDragon as one of the houses of this place.
Nowadays philosophers wonder whether the real world still has a chance over the virtual world. The helpless attempt of the so-called mainstream media by media extension of the regulars’ tables in the television studio and the claim of opinion journalism for supervised non-thinking must be stunned to see how the young wild Youtubers pass by with their click rates. As viewing habits change, so do attention spans. When data becomes a commodity, the oil of this time, then distributing likes turns into a better pregnancy test. Imperialists have always exchanged glass pearls for gold, but never proved that either one is enough for establishing personal happiness. But whoever holds the glass pearls in their hands and reproaches or complains about the exchange, has probably not quite understood it.
The CASAdelDRAGON is also linked to Spanish history through the use of some building materials. The large wooden beam in the right photo was recovered from the beach of Vinaros after a violent storm. After that, it had waited twenty years for his appointment in the materials warehouse, the first floor, today’s gallery. It has found its place in a small store for the works of art that are not currently on view in exhibitions. There it spans an opening through which moisture can be released from the rocks behind the house. The beam is reminiscent of the Spanish Armada, its wood is naturally impregnated by salt water. The high camp is also a reference to local architecture. In the Middle Ages, the Florentine merchants kept their wool warehouses in high storages that were difficult to access; this architecture can still be found today in the nearby town of Morella. Just as merchants kept their fine wool for the fashion world of young Italy back then, we are now storing the artifacts from the many exhibitions in the CASAdelDRAGON in just such high storage.
The Large Hadron Collider (LHC) by the European Organization for Nuclear Research (CERN) was almost finished when the expansion of the gallery began. The just discovered teraquarks turn physics on its head, or on its feet, depending on how you see it. The scientific accompaniment of the narrative of the pandemic has raised the question in large parts of the population as to what knowledge was drawn there and for what purpose.
Just as dark energy and the vacuum catastrophe are affecting the current world view of physics, the academic world loses its footing when it entered the stage of politics. The simultaneity of contradicting theories as the basis for the acquisition of knowledge is the grail around which science should dance. When you enter the arena there are games and bread, but no space for discourse and contradiction. The only thing that counts is thumbs up or down. Anyone who reduces research results to fundraising becomes a dancing bear. Digital amnesia is longed for in the next few years. But whoever has forgotten cannot forgive either.
Applying plaster to the wall is a magical moment. Before that, the eye is caught by all the cracks, different colors, bumps and artifacts from water and electrical installations. The eye sees this unfinished for years. Then one day a miracle happened. The loosely piled up becomes a unit, the space becomes visible and tangible. The acoustics change. A dark tone becomes sound. A space is a body. Just as bacteria inhabit our intestines, we inhabit these spaces. The interaction between space and residents should not be underestimated.
We were just in our twenties when we made the decision to rebuild an old house in the mountains of eastern Spain. The young life wanted to gain space. This room should be the basis for the new life that the room works out in order to fill it with ideas, projects, dreams and wishes. The gain in space quickly turned into an expansion of knowledge. It was the realization that this space was not borne by the builders, there was no atlas that makes room for the biosphere, there were countless helpers and preparers, there was this 700-year-old history of this building, which was newly developed , from a new generation with new ideas, from a ragged troop of enthusiasts who celebrated what they did every day.
The house was known in the village as “Old Mary’s House”. At the beginning of the 19th century it would be inhabited by a family dedicated to the wine trade. The word Parras in the street name is a reminder of this. The old Maria saw the beginning of the renovation of the house herself and visited us regularly. Even with walking disabilities, it was her concern to see how the house was rebuilt. The old people in the village encouraged us to keep going. Life in the house also means life in the village. They proudly led tourists to the house of the dragon. And so we realized. It wasn’t our house, it was the house of the village and its residents and visitors, and even during the reconstruction phase it was a guest house for all the helpers. The dragon winding around the fireplace has given the house a new dedication. He is looking towards the center of Europe, to the northeast, and he knows why.
Our friend Jo was sitting in the kitchen and thinking about the lighting in the gallery.Sonia plastered a wall for the first time in her life. Juan erects a pillar to support an arch as part of a niche that will house fuse boxes and other electronics.
The preparations for the first exhibition were of a very fundamental nature. When rebuilding the house, we could not pay so much attention to the ground floor. It served as a warehouse for all the building materials. The CASAdelDRAGON consists of three separate buildings. The passage between the two larger parts has been completely rebuilt and also received a new lintel.
The professional production of the broken tiles, the further processing and the finish, in many places the hardworking helpers have left their manual traces.
Colorful mosaics are installed in many places in the house. The visitors begin to smile and if they stay longer, some hesitantly ask whether they could also make such a broken tile mosaic. The production is basically simple, the material science is clear. For some, the magic of contemplative action opens up. You sink into your flow and the hand finds the next piece without consciously thinking about it beforehand. Despite the urgency of the approaching date of the opening, there is room in the CASAdelDRAGON, especially for young people to experience this for themselves.
So it was ambitious to finish this arch. But it was also intended as a framework and stage to later present the art in an appropriate way.
Over the past 14 years, more than 40 exhibitions have taken place in the CASAdelDRAGON. The decision on the day of the first opening was made in mid-2003, about three and a half years earlier.
An event does not take place when everyone has finished. It takes place when the guests arrive.
When we spread the news that we were going to open a gallery in a village in the mountains of Castellon, away from the big metropolises or major sights, we were smiled at by some. It would certainly not pay off, we were prophesied. But of course it would be nice to have such a place of international art nearby. And it is a social place of encounter, with the culture, with the guests and artists, with the village, the landscape and with oneself. The power of the place can be felt. The walls seem to have recorded all the stories, conversations and encounters, keep them calm and slowly and steadily pass them on to new visitors. The building, as part of the village architecture, is a completely arched, classical, physical place. You can g**gle CASAdelDRAGON and find this and many other articles and photos, but you can only experience the atmosphere and the feeling if you come and visit this place.
Those who think differently these days can be assigned to two groups. There are those who are wrestling for the attention of the masses in the same virtual places. In the charm of the shaky smartphone videos, you get intoxicated by access, length of stay and screen time. But there are also others who seem to have withdrawn into private life, who stay quiet, not out of worry or fear, but because it corresponds to their nature. They practice patience and persist in their cause, they prepare for new guests and stay in the physical. They continue to orientate themselves towards real encounters, they draw their messages from the visible mouths of their counterparts. They keep their distance to injustice, violence and propaganda.
The gallery has many niches and corners in which material can be stored or objects of art can be displayed. And again the plaster creates the feeling for the room.
Just as medicine is currently soaring towards increasingly daring theories, so is physics, too, and biology will follow suit in the years to come. The established professional opinion assumed that the DNA ultimately determines all processes in the cell and thus the organism and, to a certain extent, its social interaction with similar species. What the mRNA represents for biologists, the quarks are in physics. The desire to be able to describe the phenomena of the world in a unified theory is the longing for the truth, the true, which can and should be considered safe. Defending established opinion stands in the way of knowledge. To paraphrase the philosopher Popper, there is certainty only in the proof of inaccuracy.
The gallery’s high storey is also getting valuable plastering. The floor of this art storage room was tiled by Oliver. He had already set up many exhibition stands in his life. His motto was: There is still something going on!
The plaster on the walls and ceilings of the gallery is based on marble dust, a waste product from the surrounding marble works. This dust is mixed with white cement and mineral paints. A light blue has been chosen for the ceilings. On the one hand, most visitors feel attracted by this color above them; on the other hand, this choice supports the color fastness of the works on display. The beige of the walls is reminiscent of the predominant stone of these old walls. The plaster has remained unchanged over the years, breathable and neutral with regard to the art on display.
In general, it can be observed in the sciences that computer-based simulation replaces field observation. To do this, the complexity of the issue has to be reduced, especially where no measured values can be incorporated. Many medical statements today are based on simulations. The economization of the sciences inevitably leads to a conflict of interests. Assumptions can become certainties in the interests of the sponsors. As in all belief systems, the high priests are trained who, because of their professionalism, preach the faith and do not tolerate contradiction. The objection outside of the subject is rejected as it is. The ranks of the elite in the certainty of their interpretive authority becomes a bulwark for those who think differently. All power emanates from the people, but it does not seem to return there. The educated elites have rarely shaped the citizens’ movements, their sons and daughters very much.
Old clay tiles found their place in this wall. We had pulled them out of the beach and collected them in many visits to the sea. It was a funny picture as we got out of the cars with construction buckets and beach mats in Vinaros. We found our treasures in the rubble. The old people watched us and knew what we were doing.
One thing is secretly doing good things. You lose energy. The other is to do good things under the eyes of witnesses. You might get energy. Maybe that’s why we invent the angels on their clouds as children. To be able to imagine that someone is looking at us when we are doing the good things is reassuring. For many people, the CASAdelDRAGON and its guests are eyewitnesses. Of course this is not a house of angels. But it likes to send energy to team up with those who do the good things. Many healing professions also do the good things to get rid of the pain of the past. They see their good as confirmation of their ability to overcome the evil. Those who visit the House of the Dragon learn quickly … these people will simply carry on their tragedies.
When people find that they feel balanced when they do the good or when they don’t do the good… then … and only then … their release begins. When they see they have to, they must, they are still locked in their story. Otherwise they give food to what there are working against. If people are sure that they have no reason … then they could let the good things happen around them.
Six days before the first exhibition opening, the floor of the gallery still looked like this. Many friends and neighbors from the village shook their heads and said we couldn’t possibly manage that: to finish and to open the gallery on time.
Creating a place of positive energy requires the donation of this energy. Sometimes more than 20 people were working in all the places in the house the last few days before the first opening. Back then, we cut the last few weeks, days and hours together in a photomontage. The original video is lost, but a remake with original photos has been published (“las ultimas horas“).
Like every construction site in life, the construction of the gallery was a logistical challenge. The place of the action was warehouse, workshop and construction site in one.
Just as the reconstruction of the CASAdelDRAGON was a joint effort over many years, the creation of the gallery is also thanks to teamwork. Leaders in particular often do not realize how little they can create on their own. The fragmentation of society, lamented by many, the promise of salvation in the individual approach, the dogmas of Western values have all contributed to anchoring people in their isolation. The natural experience of the physical, the manual work, they have given way to the screen time. The emptiness sets in when they meet for a beer and really they start only the z**m.
The stairs were built and used daily. The organic railing was built from reinforcement iron, rabbit wire, mortar and white tile adhesive.
The story of the building of the gallery was and remains the story of its builders. It was thanks to their dedication, their courage, and their perseverance that this work could be completed. There was tremendous power and strength in working together for the common goal. We experienced and enjoyed this time as a community. At this point in time there was still no talk of FamiliaFeliz. But the will to found our decentralized community seven years later was also borne by the memory of this time.
Six hours before the opening: Antje fills stones from the river bed into the showcases that are embedded in the floor.
These showcases offer a very unusual perspective on the works of art. And many people, standing unintentionally on the bulletproof glass became frightened and backed away immediately. But anyone who has this experience is burned by the appearance of the work of art insode the showcase… forever.
A power strip, a HQI spotlight, a test lamp (defective), the light does not come on – find the fault – one minute before “door open”.
Work continued until the last hour. A problem with the lighting installlation put into question the achievement of the goal in the last few minutes. More than 100 guests were already waiting in front of the door, curious what had become of this project, interested in the art and the view into another world.
The first exhibition had the title Amigos en Arte, this was to be followed by more under the same title. After a few minutes, the first work of art was sold to an English test pilot and art collector.
With the opening, three and a half years of preparation came to an end. Again it was time to say goodbye to an era and venture into the unknown of the new. A short while ago the sound of hammer and chisel could be heard, the groan of the cement mixer boomed through the empty rooms. Now it was dedicated to the voices of the visitors who turned their eyes to the art. A short while ago it was still the dust of the construction site in the mouth, now the palate enjoyed the champagne.
In 2020/2021 the gallery showed the exhibition las ultimas horas. It spans many of the exhibitions that have taken place in the gallery in the years since it first opened. The works of art are telling the story of the gallery. They are also telling the story of the artists who created them. The photos in this article are telling the story of the last hours before the first opening, and they are also telling the story of the helpers who made all this possible.
After reading this article, some may wonder what the connection is between the architectural history of a gallery, the creation of a social space, the experience of a temporary community in action for a common goal, the paradigm shift in the sciences, the agony of old and the dawn of the new media.
As always, the key lies in the human itself, and the memory of a particular person may help with that.
It is the boundless love for people, the respect and attention, the quiet but powerful work from the second row, what has distinguished people like Heide Brandt. She was able to give her communities a center, a point of reference in navigating their own lives. She was there for the others, and enough for herself. She endured, carried and contributed. She listened carefully, motivated and encouraged. She was a friend of contemporary and modern art, a collector of selected prints and drawings, she was a teacher for all of us. Heide had accompanied the reconstruction of the CASAdelDRAGON over the years, sometimes from a distance, sometimes on site. Of course, she was there in the last few hours before the first opening.
Heide passed away in early April of 2021. This article is dedicated to her.
Alternative living communities are currently receiving many inquiries from people who have voluntarily or involuntarily broken away from old relationships in their local sociaties. They are looking for inspiration and functional approaches to organize human coexistence in a new, different and more social way. As a community, we started Sunday Conversations and gather people online who want to join communities, who intend to start communities, and people who have had community experience and those who are currently in living in community. The focus is international, an important aspect is the necessary cooperation among the communities.
History is made by the victor, and so is science. This is the story of those who set out to create knowledge and those who want to believe in it. It is the story of the Big Bang, of dark matter, of alternative explanatory models and the arrogance of the respective elites to simulate the world as they would like to see it. It’s the story of us.
It’s also the story of a spice rack in a dragon house kitchen. And it is the story of cooking and eating as it is a story of thinking and acting. Insight liberates, especially from belief in knowledge.
In the fall of 1609, Galileo made the mistake of pointing his newly developed telescope at the sky. He had always been a critic of Aristotle and what he saw made him doubt again. The observation of nature could not be brought into harmony with the worldview of that time, the earth at the center of the then known universe was untenable.
Around 1929 Hubble published his first scientific paper on the relation of redshift and distance between galaxies. For his famous diagram, he chose the speed as the scale on the Y-axis. Einstein stopped his work on the cosmological constant. He called his assumption that the universe is static his “biggest mistake”.
In 1924, Louis de Broglie presented his research thesis, in which he proposed electrons have properties of both waves and particles. As a consequence he rearranged the terms of the Plank-Einstein relation to apply to all types of matter.
More than 20 years later David Bohm renewed the evidence for de Broglies thesis, known as DBB theory.
We consider this to be youthful deviationism. If we can’t refute Bohm we have to agree to ignore him.
What do Galileo, Hubble, de Broglie and Bohm have in common and what can we learn from them in times of pandemic?
What most people will experience in 2021 has been prepared well in advance. Gaining sovereignty over the definition of a pandemic, along with the privatization of public tasks in the health care system, paved the way for the new power elite to enter the GREAT RESET. What is meant is less the smoke candle from Davos than the adjustment of global flows of money and goods to the new conditions. And these new conditions result from the dictates of the power elites and their simulations. This is intended to give the phrase “We have good reason to believe that …” is given sufficient evidence. Maintaining and expanding the power structure was and remains the priority of the elite. The call to science as a neutral and thus objective witness turns into a comedy. Whoever orders the desired result in research with a subsidy gets what he orders. So it is helpful that capitalist research produces easily manipulable protagonists who tie their reputation to theses once they have been implemented.
Galileo has been placed under house arrest for the rest of his life, a tried and tested solution to keep the public track free for the elites to enable them to achieve their goals. Hubble was not able to get used to his own thesis of interpreting the redshift as an expression of the escape speed of galaxies. The reputation struggling Einstein gave up his static view of the universe very quickly to stay inside the mainstream. Oppenheimer’s statement about Bohm exposes the institution of science as a circus maximus, in which bread and games are distributed like budgets and honors. And thumbs up when the ruling elite thinks so.
Anyone who sits in the audience and believes that everything is going well here is more than naive, he is safe in the mainstream and is supervised in thinking.
In all cases, turning to nature observation leads to frictions with the narrative. This narrative is not designed to explain the world, but to maintain or establish the order desired by the elites. Friction becomes a danger, censorship the means of choice and distance from the factual is to be measured in cosmological units of distance. Scientists worried about their reputation become – in their bigotry – complicit, and all means are right: whose bread I eat, whose song I sing. Simulations are invented and adjusted until they bring the result of what was ordered. My ancestors believed what came from the pulpit, my grandfathers what was written in the newspaper, my father what was seen on TV, and my brothers what was published in Wikipedia and what Google showed as a search result and in general what the AI now outputs as a result.
The fictitious narrative is stabilized by adding more and more theses. In the end, you need quasars, dark matter and constants of nature, all of which only conceal what friction remains in the face of nature, which you can observe, but which you don’t have to and shouldn’t if you want to stay in the mainstream. I don’t know whether hydrogen is baked into helium in a thermodynamic process inside the sun and released protons find their way into my observing eye or whether our sun works off the potential differences of the environment in a long glow like an Elms fire. But I remember that simple descriptions gain an advantage as long as they cannot be refuted, but only if they correlate with the established mainstream. Scientific progress can be measured well in the unit GENERATION. Whenever a generation of researchers dies out, there is always room for new ideas. Bad luck is for those who do not survive their PhD supervisor long enough. Wise is the one who looks for the oldest possible doctoral supervisor.
Biological weapons are conceived, developed and used. Propaganda is a cost-effective, efficient and continually used means of the elite. Anyone who now makes a connection between these two statements is considered a conspiracy theorist. He should be placed under house arrest, no bread and no games.
What is the basis of this human tragedy that continues to lead us astray?
Humans have always tried to save energy. This was well advised in the savannah. The tiger was close, everybody had to run faster when it mattered, not faster than the tiger, but faster than the neighbor.
Thinking costs energy. The externalization of thought is the means of choice. What has already been researched does not have to be researched again, what has already been proven does not have to be proven again. Scientific reputation certifies the implementation of the thesis, not its development and above all not its repeated verification. In this way, all science becomes a belief system, and those who contradict risk a war of faith. The crusade can easily become the wrong way. And an event is required that questions everything and allows you to start all over again.
A master who demands the adoption of his own theses educates disciples, but not new masters.
Religion and science are two sides of the same coin. This coin is not the bread. But that is exactly what is confused in the game.
The science that emerged under the Moors and their turn to nature observation was a declaration of war for the rulers and questioned the divine order, the derivation of which was the secular, as the lords liked. The church could not stand idly by the degradation of the earth (as a place created by God) to a satellite of the sun. Whoever so fundamentally questions what has been considered true for centuries must be a heretic before the Lord. The naive look through the telescope underestimates the impact of the publication of the observation. In the age of the bomb it had to be the atom, and that’s how I learned that it is the atom that releases the sun’s energy. The alternate truth wasn’t in the textbooks. Teachers who preach the truth don’t need a book of lies.
So I would have wished for a master in school who would motivate me to replace yesterday’s lie with tomorrow’s better lie, knowing that it would be a lie again.
Winners write history. Unfortunately, this always applies. Whoever goes into battle creates collateral damage, and that always creates suffering. Whoever sees in his victory the confirmation of the correctness of his thesis falls victim to hubris. So there must be reasons for the correctness of one’s own actions. The sacrifice is to be made, usually by the loser. And there is no alternative and regret is to be limited.
38 years ago we put a camping gas stove on an old wooden trestle to cook 10 kg of potatoes for the first helpers. A bucket of water next to it, a box of spices, that was the first kitchen in the CASAdelDRAGON.
After that we built many kitchens, some in connection with the casa and its visitors. The kitchen, as the central meeting place in the house, becomes a stage for planning, preparing and eating and for dialogue, embedded in the peace of the common meal.
There are many places with tile mosaics in the house of the dragon. In the large kitchen, the celtic knot dominates over the stove. Now, after 38 years, a shelf for spices has been added on its left side.
The big and small stories of the CASA and its residents are hidden in it. Old tiles from France are used and are reminiscent of friendships that have lasted for two generations. A scallop resembles the path that also leads through this village in eastern Spain and a New Year’s Eve meal in the Pyrinees many years ago.
Even the choice of spices is the history of the chefs through all ages and thus part of the history of this house.
Elita, Sing-Yang, Fadeela, Mariella, Bärbel and Martin, Etienne and many others have left their mark on history.
What can you learn from this kitchen? What can be a healthy connection between what is happening on the stove and in the world? You are what you eat!
The many visitors brought their recipes and preferences with them, they left us memories and tastes.
But we have to cook for ourselves, again and again, and think anew, think for ourselves. If we externalize the food we end up with fast food, if we externalize the thinking we end up in the black hole of knowledge, waiting for the next Big Bang.
Now is the time to show solidarity. Now is the time to realistically assess your own resources and conditions. Now is the time to build strong bonds between intentional communities and their members. This European dialogue – as a simple sample of backstage activities – is an indication of the challenges and opportunities in working together over a distance.
And it also has special symbolic power thanks to protagonists from three continents. Global, regional and local conditions form the basis of the very personal decisions people make to migrate and to bind themselves to new places. Those who do not lose contact with their tribe, wherever their paths lead, have a clear advantage.
We are sure that the current crisis in 2020-2022 is a crisis of humanity. The question of how people organize themselves, which instruments they invent and use to dominate and control others, what kind of foresight they have in the process, was raised. Now we are at a turning point again, and many are not aware that it was and is always a single, eternal turning point. Networking as a social act to explore the future together in open dialogue is a good deed. It is not in the interests of those who want to rule. But it helps to endure their actions. The networking of people is one thing, the networking of tribes and clans is another. We need both. And we invite everyone to discover and enjoy this WE.
When people discover beautiful places, they often think about the times when these places were created. The visitors imagine how nice it must have been, to have been there in the phase of establishment and development. The people would have liked to be contemporary witnesses. They enjoy the results, but they assume, the brave beginning was certainly even better. It is very human to think that way. It is still a fallacy.
We are always there when something new is created, we are always the impetus, protagonist, witness or co-founder of what we call the future. Just as the flap of the butterfly’s wings today may cause tomorrow’s storm, so we are constantly sowing what others will harvest in the future.
Grace is not what allows us to be there. The grace is to realize that we are there. Most people motivate themselves for the present with their vision of the future. There inner gaze precedes their hands. And they don’t pay attention to the NOW.
When people look back, their actions often seem sensible or pointless. It is because of whether they can easily lay a thread through the times, looking back. Those who have a positive attitude emphasize the positive things that happened along the way. That is a good thing, but it remains arbitrary. History is written by the winner, in this case by the protagonist himself. At the same time, many regret not having been there. People today look at the artifacts of the making of their fellow human beings. They balance themselve (one) against the others (many).
In large projects, people then speak of the founding fathers and degrade themselves to children or grandchildren. It will perhaps be a sign of the times – in retrospect, that people are reorganizing into tribes. The modern world of work and its sequencing and specialization have brought people together in teams. In quarantine at home it now becomes clear that these communities of purpose do not have any common values and that these teams dissolve immediately when the purpose disappears. The colleagues were mistaken for their own tribe. Now most of them are retreating into isolation, but some are also opening up and looking for connections or they are founding new tribes.
It remains important to avoid the echo chambers along the way. The cancel culture lets us fall back into our own bubble and it is up to us to leave it again and again. Communicate with those who think differently. It helps.
And again we are in the middle of the present. When we become aware, we can recognize: we are involved in the restructuring and new building of society and we can enjoy it, as actors, as contemporary witnesses, as participants. Networking the tribes consolidates the sustainability of their survival.
In a magical place magical things happen. The garden of colors, the campus for informal education of FamiliaFeliz, is a place to enjoy. Again and again this space releases the creative potential of the visitors and transforms them into the actors, the protagonists, the designers, the facilitaters of happiness. The garden becomes a stage, a canvas, a building site, an exhibition space and a memory of an idea: in the garden of Epicurus, all people are equal. Unintentionally they give themselves joy in looking at, using and building. They often pick up the thread that others have laid before them, they continue to spin it for the next to come. They meet in their deeds, across time and space. And they take something with them in their hearts, to have experienced themselves in an all-encompassing WE.
This is a story of youth from Romania. This is a story of a social entrepreneur in the house of the dragon. This is the story of a beautiful and brave village in Castellon. This is the story of a founder of a summer school in the little village Ciocănești close to Bucharest. And this is a story of success.
FamiliaFeliz was visited in 2016 from Sorina. She decided to make a travel through different communities in Europe for her master thesis in social entrepreneurship in Copenhagen. She visited with a collegue CASAdelDRAGON to study the special arrangements of our decentralized living community. At the end of her visit she was very well connected to our ideas and principles and she said: “It would be a dream for my kids from the summerschool in Romania, if they could come to this place. Its magic, the village, the people, the kindness, the peace, and the opportunities for youth in the artist color garden of CASAdelDRAGON.”
Our answer was short: “Lets make it happen…!”
Less than 10 month later Serban, the president of a little NGO in Ciocănești (a village close to Bucharest) was sitting on the terrasse in the house of the dragon and said: “I can not belive, its true.”
Sorina took the risk to pay out of her private budget the flights for a group of youth, FamiliaFeliz organised travels inside of Spain and accomodation and food.
For nearly all of the youth it was the first time out of their country, it was the first flight, the first bath in the mediterranean sea, the first trip without parents, the first immersion in a new language, a different culture and a life in an open house with lots of art and music.
The irrepressible will to take in as much as possible, to enjoy as much as possible and to share the joy with everyone in the village was evident every minute.
The youth prepared an activity for the local school, a social art project in the color garden of CASAdelDRAGON.
Sorina co-organised before and after many youth activities in Romania and Juan form FamiliaFeliz joined the team in Bucharest to realise some workshops for trainers, teachers and the management (game of life) of the summer school, also workshops (trencadis, catering) for youth of the region in the following years.
Sorina finshed her studies and started an NGO in Copenhagen, called HORA, related to a traditional Romanian folk dance in which the dancers hold each other’s hands and the circle usually rotates counterclockwise as each participant follows a sequence of three steps forward and one step back. The greek routs of the word are related to circle, singing an celebrating.
Four years later Sorina knocked on the door of CASAdelDRAGON again, and explored in a video panel the possibilities to invite, FamiliaFeliz, the village of Cervera del Maestre and the youth of the region, to participate in international youth projects in the future.
FamiliaFeliz as an open think tank for new social art movements and CASAdelDRAGON as a cultural spot in the region of El Maestrat in Castellon confirmed support to the new NGO in Copenhagen, founded by Sorina on Christmas 2020.
As menioned before, this is a story of youth from Romania. This is a story of a social entrepreneur in the house of the dragon. This is the story of a beautiful and brave village in Castellon. This is the story of a founder of a summer school in the little village Ciocănești close to Bucharest. And the best… the story is true.